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He then drew very large formats and used an old Renaissance technique neglected by contemporary painters: silverpoint
that of the surrealist group
ainsi que les facettes de leur identité et fonctions
entitled La Chambre des cartes
an immersion into their rare and intimate world of life
Enfin le cinéma ! Magazines He then drew very largeCatalogue of the exhibition Finally the cinema! at the Muse d'Orsay. At the dawn of the 20th century, cinema was as much, if not more, a way of appropriating the world, bodies, and representations, as it was a machine or a medium. A new, eminently social and popular perspective, it was the product of an urban culture fascinated by the movement of beings and things and eager to make "modernity" a spectacle. No sudden rupture or violent revolution,
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